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Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability—at the level of literature, history, and politics—to grasp the scale and violence of climate change.
The extreme nature of today’s climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the novel; they are automatically consigned to other genres. In the writing of history, too, the climate crisis has sometimes led to gross simplifications; Ghosh shows that the history of the carbon economy is a tangled global story with many contradictory and counterintuitive elements.
Ghosh ends by suggesting that politics, much like literature, has become a matter of personal moral reckoning rather than an arena of collective action. But to limit fiction and politics to individual moral adventure comes at a great cost. The climate crisis asks us to imagine other forms of human existence—a task to which fiction, Ghosh argues, is the best suited of all cultural forms. His book serves as a great writer’s summons to confront the most urgent task of our time.
- Sales Rank: #85231 in Books
- Published on: 2016-09-14
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 5.50" l, .0 pounds
- Binding: Hardcover
- 176 pages
Review
“A short but broad-ranging and consistently stimulating indictment of our era of the ‘great derangement.’ . . . The Great Derangement is a bracing reminder that there is no more vital task for writers and artists than to clear the intellectual dead wood of a vulgarly boosterish age and create space for apocalyptic thinking – which may at least delay, if not avert, the catastrophes ahead.”
(Guardian)
“In his first work of long-form nonfiction in over 20 years, celebrated novelist Ghosh ‘perhaps the most important question ever to confront culture’: how can writers, scholars, and policy makers combat the collective inability to grasp the dangers of today’s climate crisis? Ghosh’s choice of genre is hardly incidental; among the chief sources of the ‘imaginative and cultural failure that lies at the heart of the climate crisis,’ he argues, is the resistance of modern linguistic and narrative traditions—particularly the 20th-century novel—to events so cataclysmic and heretofore improbable that they exceed the purview of serious literary fiction. . . . In this concise and utterly enlightening volume, Ghosh urges the public to find new artistic and political frameworks to understand and reduce the effects of human-caused climate change, sharing his own visionary perspective as a novelist, scholar, and citizen of our imperiled world.”
(Publishers Weekly)
“The Great Derangement . . . begins with a simple question—why have the arts (literature and fiction in particular) been unable and unwilling to grapple with the greatest crisis facing the planet, anthropogenic climate change?—and runs in thrillingly unpredictable directions with it. . . . The Great Derangement bristles with trenchant and dense ideas, expressed with exemplary lucidity and finesse. At a time when the idea of the engagé intellectual is not just unfashionable, but in full-blown retreat, here is a book that triumphantly announces its return.”
(New Statesman)
“Resistance to the grim realities of climate change is so widespread that the crisis barely figures in literary fiction, notes writer Amitav Ghosh. Branding our era of denial and inertia the Great Derangement, Ghosh looks in turn at literature, history and politics to examine this failure, noting that extreme events such as 2012’s Hurricane Sandy are so freakish that they seem inexpressible. The solution, he argues, lies in collective action as well as scientific and governmental involvement — and in a resurgence in our imaginative capacity to envision human existence anew.”
(Nature)
“One of its central themes is that writers, artists and filmmakers, including himself, have largely ignored climate change—‘the great derangement’ of the title— simply because it seems too far-fetched and terrifying. But does it really make a difference if authors write about climate change? ‘Making a difference isn’t the point; the point is to examine the meaning of the arts. If we believe that the arts are meant to look ahead, open doors, then how is this huge issue of our time, absent from the arts? It’s like death, no one wants to talk about it.’”
(Guardian)
“Ghosh’s latest book, The Great Derangement, is a j’accuse issued against all those literary writers who abdicated their social responsibility by being indifferent to the climate crisis—by far the greatest predicament facing humanity. . . . As The Great Derangement emphasises throughout, the crisis of language is at the heart of every human predicament. And now, if our writers are not leading the way, we’re more than doomed.”
(Sunday Guardian Live (New Delhi))
“For a long time, we have been talking about climate change as a scientific question. In this magnificent book, Ghosh changes the conversation, moving it out of the narrow corridors of science and into the wide precincts of culture, politics, and power. Climate change, he argues, is the result of a set of interrelated histories that promoted and sustained our collective dependence on fossil fuels, and it is a kind of derangement to say we want a different world but act in a way that ensures the continuance of the present one. A clarion call not just to act on climate, but to think about it in a wholly new way.” (Naomi Oreskes, author of The Collapse of Western Civilization: A View from the Future)
“With the deftness of a master storyteller and the powerful vision of a keen political observer, Ghosh traces the complex ways that globalization, empire, and the bourgeois novel are entangled with the history of carbon and our contemporary climate crisis. A thrilling, often brilliant work of synthesis and imagination, The Great Derangement is essential reading for anyone trying to understand what the Anthropocene means for our human future.”
(Roy Scranton, author of Learning to Die in the Anthropocene: Reflections on the End of Civilization)
“Ghosh’s analysis of the ‘era of climate change’ is fascinating, erudite, and unflinching. The Great Derangement is a profoundly original book that spares no one.” (Elizabeth Kolbert, author of The Sixth Extinction: An Unnatural History)
“Captivating. . . .The lightness and agility of Ghosh’s writing succeeds in keeping all the urgency and the shadows of something we cannot really look at: the destiny of mankind.”
(Giorgio Agamben)
“On very rare occasions, a writer marshals such searing insight and storytelling skill that even a well trodden subject is blown wide open. New connections are made, new futures appear. Ghosh is that kind of writer, and this is that kind of book.” (Naomi Klein, author of This Changes Everything)
“Ghosh has written brilliant fiction, impactful essays. But this work on climate change is the most transformational and powerful piece of writing to come from his pen. The Great Derangement is a book on our burning planet for those who are burning it and are being burnt with it. Ghosh gives us, in scalding anguish, a masterpiece that reflects the Buddha’'s Adittapariyaya Sutta or ‘The Fire Sermon’ that T S Eliot so plangently re-affirmed in ‘The Waste Land.’ We have here a book that seeks to chastise, challenge, and change our brain's clogged circuitry.”
(Gopalkrishna Gandhi)
“For decades Ghosh has been telling us exquisite stories of unlikely human connection across geographical and historical boundaries. In The Great Derangement he goes a step further and sets us amidst the great collectivity of a living and dying planet. This intensely lyrical work from a visionary writer at his best calls for a restitution of the sacred—in its most inclusive form—so that we can face the climate crisis of our times with our finest remaining resources.”
(Leela Gandhi, Brown University)
“A stupendous return to non-fiction. . . . Ghosh charts our progress, our cultures, history, politics, and its environmental fallout, as delicately and firmly as a Buddhist monk resolutely scattering coloured sand to create a mandala. Pixel by pixel, in distant corners of a canvas, he builds his arguments. Through the three sections of The Great Derangement, he carves a picture out of seemingly disparate global and local events and trends. And when you step back, slowly, inch by inch, a grander story is revealed—our story. We get to see a picture so grotesque and distorted that it is impossible to look away. And we look on, transfixed by a singular conclusion—climate change is on us.”
(LiveMint (India))
About the Author
Amitav Ghosh is an award-winning novelist and essayist whose books include The Circle of Reason, The Shadow Lines, In An Antique Land, Dancing in Cambodia, The Calcutta Chromosome, The Glass Palace, The Hungry Tide, and the Ibis Trilogy: Sea of Poppies, River of Smoke, and Flood of Fire.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An excellent, informed
By RaccoonGrrl
An excellent, informed, wide-ranging analysis of what the arts might do in the service of communicating climate change. Ghosh's three part structure ("Stories," "History," "Politics") allows him to cover a remarkable breadth of social conditions which have left us unprepared and perhaps unable to face the climate challenge. Especially pointed in its description of what it sees as the challenges for Asia, and for South Asia specifically, in gearing up for this new era already upon us.
5 of 7 people found the following review helpful.
must read
By Coda Far Met
Ghosh's inquiry into the uncanny reality of the Anthropocene reveals connections between colonialism, capitalism, carbon politics, and rising oceans that really have been "unthinkable" in American and European non-fiction. While I would have preferred that Ghosh acknowledge the value of science fiction writing on climate change, I believe this book is necessary reading for anyone engaged in untangling the patterns of thought and action with which we are collectively enacting mass extinction.
5 of 6 people found the following review helpful.
Faulty Research
By Em Woodbury
While much of this book brilliantly exposes the problem we have with coming to grips with climate change--in many different types of narratives, such as historically and politically--the one glaring error is Ghosh's assumption that artists and authors aren't properly dealing with climate change in their works. This is so very untrue. I work with, and have worked with, climate change authors for over three years now; some very notable, some just starting out but still producing legitimately life-changing novels--if media paid attention. Maybe because I actively research and talk with authors and read these novels and short stories, I am more aware of what's actually happening--but then that would point to poor research in this area on Ghosh's end.
I agree that climate change in fiction perhaps shouldn't have one particular genre--that it's the story that counts, despite the newer genres readily trying to wrap their hands around global warming (Anthropocene fiction, climate fiction, solarpunk) and the older genres still doing the job (science fiction, literary fiction, speculative fiction, weird fiction).
That brings me to another point, that there does exist the assumption in Ghosh's book that literary fiction is the only fiction that matters when it comes to climate change.
Shouldn't this movement be readily open to all readers and writers, regardless of what genre the work is in? Genre fiction and literary fiction may be miles apart, yet many times the lines are blurry. No reason to be elitist about genres and their potential impacts, especially when global warming, as a huge crazy reality that everyone finds difficult to grasp and talk about, would seemingly call for a tolerance globally to discuss and immerse artistically in whatever way (journalism, art, fiction, etc.) one can. This is not an issue reserved for only a few people.
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