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Regardless of whether they’ve heard of jazz or Art Tatum, young readers will appreciate how Parker uses simple, lyrical storytelling and colorful, energetic ink-and-wash illustrations to show the world as young Art Tatum might have seen it. Tatum came from modest beginnings and was nearly blind, but his passion for the piano and his acute memory for any sound that he heard drove him to become a virtuoso who was revered by both classical and jazz pianists alike. Included in the back matter is a biography and bibliography.


From the Hardcover edition.

• Sales Rank: #797763 in Books
• Published on: 2016-01-26
• Released on: 2016-01-26
• Original language: English
• Number of items: 1
• Dimensions: 8.97" h x .15" w x 11.00" l, .81 pounds
• Binding: Paperback
• 40 pages

From Booklist
*Starred Review* Parker, who illustrated Jan Greenberg and Sandra Jordan’s Sibert Honor Book Action Jackson (2002), contributes both words and pictures in this heartfelt portrait of jazz great Tatum. Parker pushes the limits of the book’s nonfiction cataloguing by speaking in the pianist’s first-person voice, but an author’s note and a solid bibliography set the episodes in a framework of established facts. The vibrant scenes, in Parker’s familiar style of scratched ink lines and watercolor washes, show young Tatum playing at home for his dancing parents, at church for a full choir, and at local clubs, where he is discovered and his international career begins. In some images, crowds of dancers and musicians create a swirl of animated motion; in others, Parker sets Tatum, who was nearly blind, against a deep, moody, abstract background of shifting colors. Throughout, the simple, direct language shows the power of the music for both Tatum and his listeners. “When I am at the piano . . . I play clouds of notes, rivers of notes . . . I forget that my eyes aren’t good. I have everything I need.” Cue up the music; children will best appreciate this beautiful tribute with an earful of Tatum at the keyboard. Grades 2-4. --Gillian Engberg

Review
Starred review, Kirkus Reviews, December 15, 2007:
“Fusing Parker’s artistic talent and passion for jazz (he’s a musician, too), this sensitively embellished biography is totally on time.”

Starred review, Booklist, February 2, 2008:
“The simple, direct language shows the power of the music for both Tatum and his listeners.”

Starred review, School Library Journal, February 2008:
“Breathing life into words about music for young children is never easy, but Parker makes it appear effortless.”

Review, The San Francisco Chronicle, February 24, 2008:
"It's a joyful portrait of an innovative artist who was peerless in music ... A jazz musician himself, Parker brings a deep love and understanding to his subject."

About the Author
Robert Andrew Parker has illustrated numerous acclaimed books for children, including the Caldecott Honor Book Popcorn and Ma Goodness by Edna Mitchell Preston, the Boston Globe–Horn Book Award winner Cold Feet by Cynthia DeFelice, and Action Jackson by Jan Greenberg and Sandra Jordan, which received six starred reviews and was named a Robert F. Sibert Honor Book. Mr. Parker is a jazz musician. He lives in West Cornwall, Connecticut.


From the Hardcover edition.

Most helpful customer reviews

4 of 4 people found the following review helpful.
The Boyhood of a Prodigy
By Ben Sonnenberg
A book that tells of the childhood of the great jazz piano player, Art Tatum (1909-1956), who, though stricken with blindness when very young, went on to become a keyboard wonder. Beautifully illustrated and sensitively written, it fills you with joy and an urge to listen, or re-listen, to a miraculous musician.

3 of 3 people found the following review helpful.
This book, written in a gentle, sing song tone was very inspiring!
By Deb
Art Tatum was a little boy born in Toledo. His father was a mechanic and his mother, who loved to sing in church, did a lot of cleaning. His mother played the piano, but mostly it sat "quietly in the corner," until one day he became tall enough to hit the keys on the keyboard. He banged at it, played with one finger, two fingers and before you could wink an eye it started to sound very good. Even his mother said it did. He loved to play on the piano and didn't care much about night or day and because his eyes were so bad he really couldn't tell the difference.

"Don't wear out that piano today," his father said to him before he left for work. Art just loved his piano. By the time he was ten he was asked to play in church. A little case of jitters immediately went away when he touched the keyboard. Later he was asked to play at the YMCA, then at a bake sale and even someone's birthday party. "My, my, isn't he something," his mother gushed. More and more he was asked to play until he became famous, but he still remembered and loved "all the people who helped" him.

This was a wonderful story. It was written in a gentle, sing song tone and was quite inspiring. The watercolors meshed quite well with the text. In the back of the book Robert Andrew Parker writes about actually meeting and listening to Art play. There is a brief, but very interesting biography of art and a bibliography. This book would be very appealing to any jazz fan and will be appreciated and loved even by those unacquainted with his work.

4 of 4 people found the following review helpful.
Great story, phenomonal artwork
By John Q. Walker
The story of Art Tatum has been told too rarely -- it's a delight to have this wonderful book written by an impassioned author. Even more amazing is the gorgeous artwork, also done by Mr. Parker. Strongly recommended.

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• Sales Rank: #4059072 in Books
• Published on: 2010-01-01
• Original language: English
• Binding: Paperback
• 279 pages

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This landmark historical text delivers the goods promised in its title. It does not address flamenco dance whatsoever, focusing instead on flamenco song forms with a special chapter devoted to the role of the guitar. Includes Spanish lyrics for dozens of flamenco songs along with English translations and interpretive notes, a glossary of flamenco terminology, plus a recommended bibliography and discography are also provided. Informal in its demeanor, this carefully researched, insightful book will help you develop a deeper appreciation for the flamboyant art of flamenco.

• Sales Rank: #1512866 in Books
• Published on: 2003-10-10
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .29" w x 8.50" l, .93 pounds
• Binding: Paperback
• 128 pages

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0 of 0 people found the following review helpful.
A daring and scholarly book....
By Lucita de Espana
This is an exhaustive, professionally researched and concisely written book about Spanish Flamenco music. It rightly emphasizes the Cante, the singing, as the heart and soul of this art. But the book may be a little daunting for students, while offering much information for experienced aficionados and artists. Perhaps an opening chapter about Sevillanas would help dance students and young guitarists, because this dance is usually the first dance taught in Spanish Dance studios.
The book often lionizes the great guitarist Paco de Lucia, even though some of his innovations remain controversial, like injecting the final, signature chords of Verdiales into Bulerias and elsewhere, and introducing the Peruvian box drum, el cajon, which has become so overused that it often drowns out the dancer's footwork, castanets and finger snapping.
The author should be commended for discussing the dearth of women Flamenco guitarists on pp 79-80. After first trotting out the derogatory belief that womens hands are so weak that no amount of training can overcome an inborn inferiority, the author mentions that women can play demanding pieces on the piano; obviously, the girls can and do catch up! But unscrupulous guitar teachers will lower the pitch on a girl student's guitar to make the strings flaccid and easier to play. But the real reasons for the absence of women guitarists .are a complex of sociological shibboleths. Spain has thousands of girls and women who play ,musical instruments, guitars included, but professionally, these obstacles lie in wait. Andres Segovia wrote that a woman guitarist inspiured him to learn the instrument, but he never mentioned her name.
During the cafe cantante period and earlier, many people reported seeing women guitarists, like the 1774 quote in this book. Thomas Kent Pelham, an Bnglish artist who travelled in Spain and Italy, painted a picture of Spanish Gypsies encamped, with a girl dancing and a woman playing the guitar, presumably her mother.
When Gypsy dancing girls became popular in taverns, they wisely brought along male accompanyists, to protect them from men in the rowdy taven ambience. The women guitarists were left at home, and so Flamenco guitar became a man's profession. In a society that practices a gender division of labor, this benefits the men and bars women from opportunities. Accomplished woman guitarists ( instrumentalists, NOT a self-accompanying singer) who go professional face the risk of being treated like a joke or a freak, much as female athletes used to be treated.. This discrmination is nothing new, nor is it confined to Flamenco. The hostility and exclusion that American Jazz dished out to female instrumentalists exceeded that of the synphony orchestras during the same period. Women guitarists are also rare in classical guitar . But most symphony orchestras now audition people with a curtain so they cannot see if the person playing is male or female, or their race and ethnicity.
The author asserts that many generations must pass before this change seeps into Flamenco. Perhaps the box drum succeeded because it was introduced with the authority of Paco de Lucia, but so far, in the world of Flamenco guitar no one has had the temerity to suggest that God distributes musical talent without a gender division. Again, I commend this author for having dared to mention this topic.

0 of 0 people found the following review helpful.
Love flamenco
By al encinias
I fell in love with flamenco in the early 70's. I started guitar lessons but then life took up all my time and I left flamenco in a memory. Now I am back and she is even more beautiful than she was before.

0 of 0 people found the following review helpful.
Excellent Read
By MaryMR
This is a very interesting and informative book on flamenco, past and present. I would only add that it would have been nicer published as a small paperback book size since it is text only; it is a large book that is very difficult to handle, perhaps because Mel Bay wanted all their books to be the same size.

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For courses in Sports Marketing.
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Features:

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• Sales Rank: #160939 in Books
• Published on: 2012-07-26
• Original language: English
• Dimensions: 10.90" h x 1.00" w x 8.40" l, 2.30 pounds
• Binding: Hardcover
• 416 pages

About the Author

Michael Fetchko is co-director of The Pittsburgh Center for Sports Media and Marketing at Point Park University, USA.

Donald P. Roy is professor of marketing at Middle Tennessee State University, USA.

Kenneth E. Clow is a Professor of Marketing and holder of the Biedenharn Endowed Chair of Business in the College of Business Administration at University of Louisiana Monroe, USA.

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“Paz's poetry is a seismograph of our century’s turbulence, a crossroads where East meets West."―Publishers Weekly

Nobel Laureate Octavio Paz is incontestably Latin America's foremost living poet. The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol)―here translated anew by Eliot Weinberger―made its appearance. This is followed by the complete texts of Days and Occasions (Días Hábiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Árbol Adentro).

With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson.

• Sales Rank: #447121 in Books
• Published on: 1991-04-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.40" w x 6.00" l, 2.00 pounds
• Binding: Paperback
• 688 pages

From Publishers Weekly
Paz, a cosmopolitan poet, is also intensely Mexican. In his lineswhether long and flowing or spare and chiseledsorrow and solitude are measured against the strength of his people and refracted through the prism of his gentle romanticism ("The world is born when two people kiss"). From India, Sri Lanka, Afghanistan and France, the poet-diplomat pens updates on the fragile state of the world. Yet if death is an ever-present reality in his poetry, so is hope. In addition to editor Weinberger, translators for this 800-page bilingual collection include Elizabeth Bishop, Paul Blackburn, Denise Levertov, Mark Strand and Charles Thomlinson. From the circular poem "Sunstone" (1957), modeled on the Aztec calendar, to the intense musings of "A Tree Within" (1987), Paz's poetry at its best is a seismograph of our century's turbulence, a crossroads where East meets West.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Libraries can choose between a collection that "contains in bilingual format all the poetry he has written since 1957" ( LJ 10/15/87) and a "a comprehensive selection . . . showing the range of Paz's poetic work" ( LJ 5/15/84). Sunstone, a major long poem written a quarter of a century ago, appears in The Collected Poems in a new translation. The publisher may reissue Sunstone as a separate volume in 1991.
Copyright 1990 Reed Business Information, Inc.

Review
“Octavio Paz is such a masterly presence in the dialogue of Latin American culture that it is easy to forget he is first and foremost a poet. . .but a reading of this volume reveals that in the polyphony of his voices the poetic one still rings loudest and clearest.” (Roberto Gonzalez Echevarria - The New York Times Book Review)

Most helpful customer reviews

43 of 49 people found the following review helpful.
Sing the Voice Fantastico
By M. Swinney
Octavio Paz has since passed through this world leaving behind a beautiful web of words with the tapestry of things seen and unseen. Paz does an ambidextrous job of mixing in elements of surrealism with the bone of natural objects and that which is very real. His, and the translator Eliot Weinberger ... along with the help of other poet translators to include Bishop, Levertov, Tomlinson--all of their words come alive with beautiful language. The translation seems true to the intent.
What is essential about this book is that each poem comes with the bilingual translation in English and accompanied by the original works in Spanish. Two years of high school Spanish, as well as two years in college, has rendered me with a woefully inadequate ineptitude of all words and understanding of that language. But I don't think that the translation can ever capture the sound, the alliteration, the true tongue/la lingua and fluid language that Paz meant in his original Spanish. Even if I don't understand a lick of what's on the left side of the page in Spanish at least it can be read for it's beautiful sound. Listen to this, "Through the conduits of bone I night I water I forest that moves forward I tongue I body I sun-bone Through the conduits of night" and then on the even-numbered page, "Por el arcaduz de hueso yo noche yo agua yo bosque que avanza yo lengua yo cuerpo yo hueso de sol Por el arcaduz de noche."
What are you doing still sitting here reading my crappy writing when you could be reading Ocatavio Paz? Go get the book...you'll see.

9 of 10 people found the following review helpful.
A Beautiful Collection
By Deborah V
If you enjoy the poetry of Octavio Paz (born 1914- died 1998), this collection is a wonderful addition to your library. Paz wrote literature and won the Nobel Prize for Literature in 1990 and he also wrote poetry. Poems are presented in both Spanish and English.

Paz is a lyrical writer and his imagery takes you inside the poem and inside yourself. Take "Between Going and Staying" and the first stanza:

Between going and staying the day wavers,
in love with its own transparency.
The circular afternoon is now a bay
where the world in stillness rocks.

and the last stanza:

The moment scatters. Motionless,
I stay and go: I am a pause.

You can feel the stillness, feel the immersion, feel the pause.

If you are new to Paz and his poetry he is a wonderful poet like the great Spanish poet Federico Garcia Lorca--both are incomparable in weaving their words into poetic moments.

12 of 14 people found the following review helpful.
Elegant
By Robertomelbourne
Paz' poetry is sublime, and elegant. The words and ideas simply slip off the page. Its like taking a bath in chocolate.
Paz consistently suprises the reader with new ideas, form, language. Paz creates an atmosphere that is soothing, and enchanting. I would highly recommend this work.

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[V327.Ebook] Download PDF Piercing the Darkness, by Frank E. Peretti

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The light shines in the darkness, and the darkness has not overcome it.
John 1:5 (ESV)

It all begins in Bacon’s corner, a tiny farming community far from the interstate. An attempted murder, a suspicious case of mistaken identity, and a ruthless lawsuit against a struggling Christian school threaten the peace of the small town. Sally Beth Roe, a young loner, finds herself in the middle of events beyond her control, fleeing for her life while trying to recall her dark past. She doesn’t realize that a demonic army is growing in power and that a spiritual battle is rapidly approaching.

This companion volume to This Present Darkness offers readers a new perspective on spiritual warfare, prayer, and the seemingly coincidental events of our lives. It has sold over 2 million copies.

• Sales Rank: #91559 in Books
• Brand: Crossway Books
• Published on: 2003-06-26
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.23" w x 5.50" l, .85 pounds
• Binding: Paperback
• 448 pages

Review
Frank Peretti kicked open the doors that all of us Christian novelists are passing through today. We owe him a huge debt. Jerry B. Jenkins, author, The Left Behind series. --Jerry B. Jenkins, The Left Behind Series

Review

"Frank Peretti kicked open the doors that all of us Christian novelists are passing through today. We owe him a huge debt."
—Jerry B. Jenkins, author, The Left Behind series

About the Author

Frank E. Peretti is one of American Christianity's best-known authors. His novels have sold over 10 million copies, and he is widely credited with reinventing Christian fiction. He and his wife, Barbara, live in the Pacific Northwest. www.frankperetti.com.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Reading for the third time!
By Amazon Customer
Frank Peretti 's books are all good, but my favorites are 'This Present Darkness' and 'Piercing the Darkness.' This book is well written, and a real page-turner. It gives shape and form to the spiritual warfare that we face daily. Gives you a glimpse behind the physical world to reveal who the real enemy is. I highly recommend it for those interested in spiritual issues And to those looking for a really good mystery and interesting story.

16 of 17 people found the following review helpful.
Suffers from Sequel Syndrome
By J.M. Diener
Piercing the Darkness is the follow-up novel to This Present Darkness, both of which I devoured as a teenager. Going back and re-reading the book as an adult once more reminds me of what a good writer Peretti is. He knows how to spin a tale that doesn't just carry you along, it grabs you by the scruff of your neck and drags you through page after page until you breathlessly sit at the end of the book panting, "Let's do that again!"

That being said, this book does suffer from sequel syndrome: it's bigger, more clunky and unwieldly than the first. Peretti himself admits in his introductory note, that in retrospect he'd bitten off more than he could chew. Considering the book's origins in the 1990's and the paucity of very good Christian thriller fiction at the time, he can be forgiven for that. Piercing the Darkness is still a fun ride, though I am even less pleased with some of his depictions of angel-human interactions than in This Present Darkness. It often feels as if the humans are merely the angels' means to an end, not that they are humans' ministers and protectors(as is taught in the Bible -- see Heb 1:14). Again, this is a novel, not a work of theology, but it will inform the less astute reader and has the potential of putting some not-exactly-biblical ideas concerning angels, demons and spiritual warfare in the less careful mind. With that in mind, the reader should sift all angelology and demonology through a scriptural lens, while enjoying Peretti's inventiveness and Sally Roe's journey.

It is nice to see the transformed Marshall Hogan go at it for the Lord. Kate's bigger role is also enjoyable, though she seems too vastly transformed from the newspaper widow in the first book. Peretti's depiction of Heaven's joy at the salvation of a soul is a moving scene. I kind of miss Hank and Mary Busche and I feel the other characters (with the exception of Sally) are less compelling than those in the first novel. Even the angels and demons feel more one-dimensional, though almost all the angels were featured in the first novel, too. These are all classic symptoms of sequel syndrome, so we'll accept them, as well as the fact that in the grand scheme of novel-making this is a worthy entry overall. (Though it was good Peretti abandoned these guys in his subsequent novels; I don't think a third installment would have worked at all.)

1 of 1 people found the following review helpful.
Run Sally, run
By Stanley
Spiritual warfare with a precedent setting court case threatening religious freedom in Anytown, USA. This is a sequel. I liked the first one better. Perhaps I expected more from the Angels who were constantly complaining about lack of "prayer cover". Their continuous timidity over breaching demonic turf was unsettling. I believe in the power and necessity of prayer however I do not believe that legions of heavenly hosts can be made impotent by the lack of human petitions to the Almighty. Still it was a good story and worth a positive rating. This book had plenty of victims but lacked a bonafide hero. Caution, reading this book make make you feel like...somebody's watching you.

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The only self-contained modern laboratory manual for advanced undergraduate courses in instrumental analysis. Consists of over 50 experiments demonstrating the theory and practice of electrochemical methods, methods based on electromagnetic radiation, and separation methods. Experiments are introduced with a review of the physical principles on which the experimental procedures are based.

• Sales Rank: #111984 in Books
• Published on: 1984-09-03
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.06" h x .78" w x 8.50" l, 2.33 pounds
• Binding: Paperback
• 448 pages

From the Publisher
The only self-contained modern laboratory manual for advanced undergraduate courses in instrumental analysis. Consists of over 50 experiments demonstrating the theory and practice of electrochemical methods, methods based on electromagnetic radiation, and separation methods. Experiments are introduced with a review of the physical principles on which the experimental procedures are based.

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